Orchestral climax from DOVER BEACH, a rigorous exploration of the 10/8 meter as well as poly-rhythm (various parts throughout make subtle use of 5:4, 5:3, 5:2, 7:5, and 8:5)
Orchestra with theremin
Chamber music composed for piano, celesta, glockenspiel, harp and percussion, exploring Messiaen's third mode of limited transposition
Composition for voices, Rhodes electric piano, electric guitar, upright bass, and drums/percussion
Solo piano composition
Experimental sound design
Solo piano with sound design
Solo piano with sound design
Brass ensemble with percussion from THE HANGMAN
Solo piano composition
Solo piano with sound design
« AN EVOLVED SOUND » - ORNETTE COLEMAN
« A BRILLIANT COMPOSER » - TIMEOUT NY
« INTENSELY CINEMATIC » - NEW YORK TIMES
« ELEGANTLY VARIEGATED » - VILLAGE VOICE
Pete Drungle is a Berlin-based composer, pianist, sound designer and producer whose oeuvre spans a rich tapestry of styles and timelines, highlighted by a robust collection of solo piano and ensemble works, with innovative contributions to dance, film, theater, fashion, and visual arts. Drungle’s music transcends conventional boundaries, seamlessly blending classical and postmodern techniques, narrative soundscaping, and cross-disciplinary collaboration. His work has been celebrated at prestigious venues worldwide, from the Centre Georges Pompidou to the Whitney Biennial, earning accolades for its emotional depth, intellectual rigor, and transformative power. Drungle’s artistry bridges the traditional and the experimental, captivating audiences and collaborators across the global cultural landscape.